Color finale vs colorista pro#

How did you handle jumping in after an initial cut had been made? We had the flexibility to fine-tune it, test new ideas or even get pickups -В many of which were filmed in the back streets of Launceston in Tasmania.В Joshua Freeman, the VFX supervisor,В would add his wizardry skills to make all the shots blend together. From then, it was two years of post until final delivery.В The film changed a lot in that time. The film was dormantВ for almost a year untilВ South Sky Pictures came on the scene in October 2019. After around four months in, the producer and director were not happy with the results and post was halted. The first was right after production wrapped at a different post house (that weвЂ™d rather not name).

The post process was broken up into periods.

Color finale vs colorista pro#

Audio was completed with AvidвЂ™s Pro Tools by Scott Gould, and VFX work was primarily Adobe After Effects with some Fusion. What was the post process like in terms of tools?ДЇor editing and color work, we used Blackmagic DaVinci Resolve Studio. That drove a lot of decisions for us, from cameras that could handle the harsh Australian sun -we used Blackmagic Urusa Mini Pros - to picking a color pallet in post that set us apart from the typical Christmas movie. Getting an overall unique and culturally appropriate look for the film meant leaning into those differences while still having a Christmas feel. In contrast our Christmas means 40 М‡C (104 F) heat, unforgiving sunlight outside and air-conditioned interiors. The indoor scenes are warm and really make the audience feel cozy with those huge American fireplaces and vibrant, festive decorations. In an American Christmas movie, outdoor scenes feel cold and have a rather flat color palette. In Australia, Christmas means summer vacations and being outside. But we also had to make sure we got it right culturally. We had the usual tight deadlines and last-minute changes and made sure we had the latest and greatest post tools for the work.

This was definitely a unique film for us. How did you approach the post planning for the film?

We spoke with Talbot, one of the two founders of South Sky Pictures and a post veteran, with films like Unbroken on his resume, about creating a different type of Christmas film. And to make the process even more difficult, post began just as quarantine hit. It was the job of editor and VFX artist Maarten вЂњFishвЂќ Talbot and post production manager Joshua Freeman, from Tasmania-based South Sky Pictures, to make sure the film looked as far from the North Pole as possible but still festive. Shot in 20 locations in Australia, the full-length film, directed by My Big Fat Greek Wedding actor Louis Mandylor, follows a tightly wound American trying to find her husband and his family. L-R: Joshua Freeman and Maarten вЂњFishвЂќ Talbot